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The early Renaissance architects in France in some cases, and notably in the apsidal chapels of St Pierre at Caen (1520), seemed to feel that the stained glass was too much cut up by the tracery and mullions, and omitted them altogether, ...
The plan is a double cross with a large boldly projecting transept and a secondary transept with apsidal chapels towards the eastern end. It has a separate cloister and a decagonal chapter house with enormous flying buttresses.
 See also: Church, Pilasters, Basilica, Trave, Moulding
  
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