classicism
Also found in: Encyclopedia, Wikipedia, Hutchinson
0.01 sec.
Classicism
The imitation or use primarily of the style and aesthetic principles of ancient Greek and Roman classical art and literature; in modern times, it also refers to the adoption of such principles in music.
Classicism - The architectural vocabulary that has shaped Western architecture ever since ancient Greece. Characterized by a set of compositional rules and architectural elements, in particular, columns and orders.
classicism : A tradition of Greek and Roman antiquity, distinguished by the qualities of simplicity, harmony, and balance.
Neoclassicism - Terminology
Colonial styles- Pre-Revolutionary War
Colonial Revival 1870-1920 ...
Neoclassicism
Statistics and some photos of Neoclassical buildings in England, Italy, and the USA, from Great Buildings Online.
Discuss in my forum ...
Neoclassicism / Neoclassical
A movement in architecture that strove to rediscover ancient Classical architecture.
Classicism was the official style in public buildings and in architectural training, but the Gothic Revival was strong enough to cause great debate. The Classicists were convinced that the Palladian style represented harmony and ideal beauty.
Neoclassicism first gained influence in Paris, through a generation of French art students trained at the French Academy in Rome and influenced by the presence of Charles-Louis Clérisseau and the writings of Johann Joachim Winckelmann, and in London, ...
Renaissance Classicism: This school of architecture is based on the dictates of 16th-century Italian Renaissance architects who codified what they believed were the "correct" designs and proportions for classical columns and other design elements.
neoclassicism artistic style of the late eighteenth century, characterized by its regularity and uniformity and its close resemblance to the art of classical antiquity.
with Eastern or Orthodox Christianity, which originated at Byzantium (Constantinople) in the 5th century. Characterized by round arches, vaults and domes, ornament of emblematic and symbolic significance, and the use of mosaic.Neo-Classicism ...
Period of severe neoclassicism from 1810-1820 influenced by the French Empire.
Relief
Forms of molded, carved or stamped decoration raised from the surface of a piece of furniture forming a pattern.
neoclassicalIn the fine arts, Neoclassicism is a movement of the second half of the eighteenth century, corresponding to the Enlightenment and the Are of Reason.
Development of the spa town of Bath gave opportunities to John Wood and his son to apply Palladian classicism to the design of Queen's Square (1728), the Circus (1754-1770), and finally the great Royal Crescent (1767-1775), ...
Also known as Classical Revival, or Academic Classicism, the Beaux Arts style combines classical architecture from ancient Greece and Rome with Renaissance ideas.
Most of his early inspiration was drawn from Chippendale and his school, but he fell later under the influence of a bastard classicism.
This style of building represents the emergence of French Classicism, which owed much to the Treatise on Architecture written by Sebastiano Serlio.
This style was widely used at the turn of the 19th century when Neoclassicism was popular. It was used most extensively for public and institutional buildings, such as courthouses and public libraries.
Greek Revival - a phase of Neoclassicism that spread the idea of "noble simplicity and calm grandeur."
guilloche - an ornamental border formed of two or more interlaced bands around a series of circular voids.
Taking as a starting point the elements of classicism, Baroque architects gave their buildings an unprecedented elaboration , ...
The Perpendicular is clearly influenced by traditional Classicism in manners which are often impressively noble. While there is no cathedral constructed entirely within this style, a close candidate is Gloucester, built in the mid fourteenth century.
In architecture it saw the rise of Palladianism; the styles of Robert Adam; the fashions for Rococo, Chinoiserie, Gothick and Hindoo. It also embraced early Gothic and Greek revivals and Neoclassicism.
This may have derived from the work of the 16th-century critic Vasari, who attributed medieval artistic styles to the barbarian Goths, who invaded the Roman Empire between the 3rd and 5th centuries and destroyed ‘classicism’.
Both contain wonderful engravings, and are a valuable record if biased towards classicism and the architects own work. There is a certain irony here, because Vitruvius did not illustrate his own manuscript.
 See also: Architecture, Classical, Roman, House, Greek
|
