additive - May refer to the additive system for representing the color spectrum using combinations of the primary colors of light — red, green and blue — demonstrates combinations which produce an array of lighter, brighter colors, including white.
Additive process: see Modelling, Casting, Construction, Assemblage
Aerugo: bright green rust which forms on bronze and other metals which contain copper after exposure to air or acid: The obsolete pigment Verdigris was made of this substance. See also Patina, Verdigris ...
additive. Refers to the process of joining a series of parts together to create a sculpture.
aerial perspective. Aerial or atmospheric perspective achieved by using bluer, lighter, and duller hues for distant objects in a two-dimensional work of art.
ADDITIVE TECHNIQUE joining a smaller piece of clay to a larger piece.
AERIAL PERSPECTIVE the effect of distance or atmosphere shown through haziness or changes in color.
AESTHETIC the science of the beautiful in art; defined by visual, moral, social, and contemporary standards.
additive sculpture Sculptural form produced by combining or building up material from a core or armature. Modeling in clay and welding steel are additive processes.
aerial perspective See perspective.
color that results from the mixture of two or more colored lights, the visual blending of separate spots of transmitted colored light. Return to top
~ Colour Mixture
When light colours are combined, the result becomes successively lighter. Light primaries, when combined, create white light.
~ Colour ...
Modeling a sculpture by adding materials to it until the desired effect is achieved.
The illusion of space on the picture plane created by means other than linear perspective such as contrast, warm and cool colors, etc.
An ~ used in paper-making processes and conservation treatments that will raise the pH level and make the paper less acidic.
alla prima ...
is mixed, as on your computer screen, or when theatrical spotlights overlap on a white wall. Its effects are less familiar than pigment mixture to most people. If all three primaries are mixed, the theoretical result is white light. Therefore Light mixture is sometimes referred to as ~ ...
In another sense medium may be used to describe an ~ to the colours when painting, linseed to oil-paints, egg yolk to tempera, gum to water-colour.
(also termed: McGuilp, magilp) An 18th-century oil-painting medium, a mixture of linseed oil, mastic varnish and lead driers.
^ Richard Weston on ~ Architecture, Jørn Utzon, Logbook Vol V, Edition Bløndal. Retrieved 25 September 2011.
^ "Utzon, Jorn, 1918-2008: Jorn Utzon Sydney Opera House collection, 1956-1967", State Library of New South Wales. Retrieved 18 September 2011.
Natural light, or sunlight, is whole or ~ light. As the sum of all the wavelengths composing the visible spectrum, it may be disassembled or fragmented into the individual colors of the spectral band.
Carving: The cutting of a figure or design out of a solid material such as stone or wood, as contrasted to the ~ technique of modeling.
Casting: A method of duplicating a work of sculpture by pouring a hardening substance such as plaster or molten metal into a mold.
This leads to all details being recorded ~ly with the same emphasis, and the color being softened very little. His knowledge about the influence of light and air on the appearance of color only becomes noticeable in later works.
rer experienced in Italian art the holistic, organic approach to composition which lay at the opposite end of the spectrum to the art north of the Alps, where painting continued to be understood as the ~ combination of individual elements.
In sculpture, an ~ process where the artist builds up a form by adding and shaping material. In painting, the technique of using light and shade to suggest three-dimensionality. An object, usually built to scale, intended to serve as a pattern for a larger work.
Although terracottas are usually formed using ~ techniques, many Nok pieces were sculpted subtractively in a manner similar to carving. This distinctive approach suggests that a comparable wood-carving tradition may have influenced them.
Among other techniques, he utilizes the difference between the ~ and subtractive mixing of colors. In many paintings, Turner strategically places small dots of colors so the ~ mixture would gain brilliance - 50 years before the Pointillists.
Inert Pigment: A powdered paint ~ that does not change the shade or hue, but extends or otherwise imparts a special working quality to the paint. Fillers are used in lower and student grade paints as extenders, making the paint cheaper to produce, but of lower quality.
Watercolor Mediums and ~s: Check out these nifty mediums and ~s that can be mixed with watercolors to change the paint quality.
MODELING PASTE. An ~ used to make ACRYLIC paints sculptable.
MODELLO. A drawing of a principle form of a composition made on a reduced scale in preparation for a larger work.
Bronze is any of a broad range of copper alloys, usually with tin as the main ~.It is strong and tough and is often favoured by Artists for Sculpture. It was particularly significant in antiquity, giving its name to the Bronze Age.
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Basic color theory involves the science of light, the principles of pigment, the categories of ~ and subtractive color, as well as physiology of the human eye and the psychology of the brain.
An ~ used in paper-making processes and conservation treatments that will raise the pH level.
- M - magenta
A printer's name for red, in the four-color ~ printing system which includes cyan, yellow and black. (8) ...
To manipulate is to change or model by careful use of the hands; to manage shapes and forms in a space, less by ~ or subtractive techniques than by moving things around.
It describes the amount of pigment in the paint, compared to the amount of binder or other ~s in the paint. Each paint has its own maximum pigment load as some pigment need more binder added to them just to be able to mix the raw material into a usable paint consistency.
color theory: as used in the Kentucky Core Content, the study of pigmented color (subtractive color theory) as opposed to light (~ color theory).
The ground glass used as a dryer and bulking ~ was probably a low grade of Smalt, less blue than the better grades, and low in tinting strength, so it could be mixed with any color without altering its appearance noticeably. Another blue pigment, Azurite, was also used as a drier.
Subtractive Colour - As oppose to ~ colour which emits light, subtractive colour absorbs the wavelengths that make up white light and reflects only certain wavelengths which people observe as a particular colour ...more info ...
See also: What is the meaning of Painting, Composition, Movement, School, Impression?