arbitrary colors. Colors selected and used without reference to those found in reality.
art criticism. An organized system for looking at the visual arts; a process of appraising what students should know and be able to do.
Color that has no realistic or natural relation to the object that is depicted, as in a blue horse, or a purple cow, but which may have emotional or expressive significance.
Fauvists simplified lines, made the subject of the painting easy to read, exaggerated perspectives and used brilliant but arbitrary colors. They also emphasized freshness and spontaneity over finish.
A short lived painting style in early 20th century France, which featured bold, clashing, s - colors unrelated to the appearance of forms in the natural world. Henri Matisse was its best-known practitioner.
His mature style, developed by the mid-1940s, is characterized by a reduction of elements to their essential forms, elimination of detail, and surface patterns of flattened shapes, filled with arbitrary color in the manner of Matisse.
See also: Composition, Painting, Expression, Representational, Perspective