HumanitiesWeb.org - Glossary definition: Asymmetrical Balance Asymmetrical Balance
Balance achieved in a composition when neither side reflects or mirrors the other.
Asymmetrical balance, also called informal balance, is more complex and difficult to envisage. It involves placement of objects in a way that will allow objects of varying visual weight to balance one another around a fulcrum point.
Asymmetrical. Lacking symmetry.
Atmospheric Perspective. See "Perspective."
Casein. A milk protein used in paint-making.
ASYMMETRICAL different on either side of a central axis.
BALANCE equilibrium in a composition, either symmetrical or asymmetrical.
BISQUE dull, fired ceramic clay before glazing.
asymmetry, asymmetrical balance - Asymmetry is when one side of a composition does not reflect the design of the other.
Asymmetrical, dynamic or informal balance - controlling opposite forces by manipulating visual components to create a sense of equilibrium (e.g., a large gray area balanced by a small red shape).
An equal distribution of weight (physically or visually) achieved without identical units on both sides. One large shape or form may be balanced by several smaller ones. Also known as informal balance.
An asymmetrical pose in which the one part of the body is counterbalanced by another about the body's central axis.
Abstract and asymmetrical Rococo decoration: ceiling stucco at the Neues Schloss, Tettnang ...
ASYMMETRICAL: different on either side of a central axis
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BACKGROUND: the part of a picture that appears to be farthest away from the viewer
BALANCE: equilibrium in a composition, either symmetrical or asymmetrical ...
It is asymmetrical in balance, with a lively swirl of drapery animating its princely pose. The Guanyin is a favorite subject, a beloved and powerful Boddhisattva that combines feminine and masculine characteristics (both graceful and robust).
This sculpture is asymmetrically balanced. The weight of the shape on the right side is balanced by the number of smaller objects on the left side, and the space that they seem to enfold.
Walker Art Center
Gift of Mr. and Mrs. Samuel H. Maslon ...
Art Nouveau An 1890s style in architecture, graphic arts, and interior decoration characterized by writhing forms, curving lines, and asymmetrical organization. Some critics regard the style as the first stage of modern architecture.
In those Continental contexts where Rococo is fully in control, sportive, fantastic, and sculptured forms are expressed with abstract ornament using flaming, leafy or shell-like textures in asymmetrical sweeps and flourishes and broken curves; ...
High-relief carving of twirling leaves, asymmetrical C- and S-shaped scrolls, flowers, and fanciful elements resembling rocks and shells would mask the areas where the cabriole legs and sinuous curving arm supports were joined to the seat rail (66.60.2).
The distinguishing ornamental characteristic of Art Nouveau is its undulating, asymmetrical line, often taking the form of flower stalks and buds, vine tendrils, insect wings, and other delicate and sinuous natural objects; ...
The style was richly ornamental and asymmetrical, characterized by a whiplash linearity reminiscent of twining plant tendrils. Its exponents chose themes fraught with symbolism, frequently of an erotic nature. They imbued their designs with dreamlike and exotic forms.
Their asymmetrical arrangements contrasting large areas of flat colour with patches of intricate pattern offered a compositional format that the Impressionists could use to develop their ideas about colour.
Italian term, meaning to represent freedom of movement within a figure, as in ancient Greek sculpture, the parts being in asymmetrical relationship to one another, usually where the hips and legs twist in one direction, and the chest and shoulders in another.
The asymmetrical compositions are also strongly influenced by the work of Japanese printmakers. Cassatt mastered the mediums of oil painting, pastel, and printmaking (especially drypoint with aquatint).
His study of Japanese prints led him to experiment with unusual visual angles and asymmetrical compositions. His subjects often appear cropped at the edges, as in Ballet Rehearsal (1876, Glasgow Art Galleries and Museum).
The women are composed of flat, splintered planes rather than rounded volumes; their eyes are lopsided or staring or asymmetrical; and the two women at the right bear masklike features. The space, too, which should recede, comes forward in jagged shards, like broken glass.
The three major forms of balance are asymmetrical balance (where equilibrium is achieved by the balance differences in the art elements within a composition), symmetrical balance (where the art elements in a composition are balanced in a mirror-like fashion), ...
The goal is to structure the center in an asymmetrical composition. In the discussions of art historians it has almost become a topos to use Jan van Eyck's Madonna and Child with Chancellor Rolin as a comparison, as in that work an analogous composition was used for the picture.
It consists of an asymmetrical, reductive composition; a subdued, near-monochrome palette; and an interest in the effects of light and atmosphere rather than topography.
It was characterised by an elaborate ornamental style based on asymmetrical lines, frequently depicting flowers, leaves or tendrils, or in the flowing hair of a female. It can be seen most effectively in the decorative arts, for example interior design, glasswork and jewellery.
unfaceted gem. Also, a similarly convex and smooth rounded asymmetrical shape,
resembling in form a cashew nut, sometimes used as a decorative element of
Rococo style. Often used in conjunction with acanthus leaves or shell work on cabriole legs.
Art nouveau: A decorative art movement that emerged in the late nineteenth century; art characterized by dense asymmetrical ornamentation in sinuous forms, it is often symbolic and of an erotic nature.
Artist: A practitioner in the arts, generally recognized as a professional by critics and peers.
Art Nouveau, primarily an ornamental style, used asymmetrical decorative elements derived from objects inspired by nature. The style is characterized by the usage of graceful, cursive lines, interlaced patterns, flowers, plants, insects and other motifs.
A style which evolved during the 1890s which used asymmetrical decorative elements derived from objects found in nature.
Ashcan School: ...
In jewelry, the term Baroque is used to describe an irregularly shaped object. Most commonly it is used to describe a pearl that is asymmetrical. Cultured freshwater pearls are most commonly baroque, because freshwater pearls are mantle-tissue nucleated instead of bead nucleated. continue ...
The Art Nouveau movement produced new themes in architecture. Curvy lines known as curvilinear in art, asymmetrical shapes and forms, surfaces with leaf and vine decorations, and other patterns characterize Art Nouveau buildings.
French for, "rock work", a late Baroque style used in interior decoration and painting normally playful, pretty, romantic and visually loose or soft and employing small scale and ornate decoration, pastel colours and asymmetrical arrangement of curves in panelling, porcelain, ...
Art Nouveau A style which evolved during the 1890s which used asymmetrical decorative elements derived from objects found in nature.
This is considerably later, dating from around the 1st century BCE, and it displays a sparse, asymmetrical pattern of winding tendrils. Its most interesting features are the horns, which are studded with ornamental rivets.
An arrangement of parts achieving a state of equilibrium between opposing forces or influences. Major types are symmetrical and asymmetrical.
A very fine-grained plastic secondary clay that fires to white or near white.
Typified by gaiety and comfort, C scrolls, counter curves and asymmetrical arrangements. It produced some spectacularly beautiful ornate churches, (especially in Germany and Austria), and featured artists such as Hogarth, Guardi and Goya.
Contrapposto: Italian word for "set against." Method developed by the Greeks to represent freedom of movement in a figure. Parts of the body are placed asymmetrically in opposition to each other around a central axis ...
A principle of art that refers to the way the art elements are arranged to create a feeling of stability in the work, i.e., symmetrical, formal, asymmetrical, informal, or radial.
An art and design principle concerned with the arrangement of one or more elements in a work of art so that they appear symmetrical (even) or asymmetrical (uneven) in design and proportion.
Portions of a composition can be described as taking on a measureable weight or dominance, and can then be arranged in such a way that they appear to be either in or out of balance, or to have one kind of balance or another. Balance can be symmetrical, or formal; or it can be asymmetrical, ...
this case as distinguished from modern art, which is generally considered to have lost its dominance in the mid-1950s Contrapposto (pronounced con-tra-pos-to) - Italian term, meaning to represent freedom of movement within a figure, as in ancient Greek sculpture, the parts being in asymmetrical ...
See also: Painting, Movement, Composition, Sculpture, Classic