Contrapposto

(verb) - The past participle of the Italian "to counterpose", contrapposto is also an art term which describes one particular pose an artist may give a sculpted or painted human figure.

contrapposto - The principle of weight shift in the visual arts. It is commonly used to depict a figure in a relaxed stance, one leg weight-bearing, the other bent, the torso slightly shifted off axis.

Contrapposto. The representation of nude young men turned suggestively toward Leonardo and Michelangelo.

Contrapposto: Italian word for "set against." Method developed by the Greeks to represent freedom of movement in a figure. Parts of the body are placed asymmetrically in opposition to each other around a central axis ...

Contrapposto
It is an Italian art term describing a pose in which the human body is twisted so that the chest and shoulders face one direction, balanced by the hips and legs facing another.

CONTRAPPOSTO
Literally, "counterpoise." A method of portraying the human figure, especially in sculpture, often achieved by placing the weight on one foot and turning the shoulder so the figure appears relaxed and mobile.

Contrapposto
Italian for "counterpoise", the counter-positioning of parts of the human figure about a central vertical axis.
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contrapposto - (pronounced con-tra-pos-to) - Italian term, meaning to represent freedom of movement within a figure, as in ancient Greek sculpture, the parts being in asymmetrical relationship to one another, ...

Contrapposto A twist or "S" curve of the human figure caused by placing the weight on one foot and turning the shoulder.

Contrapposto: This phrase refers to a specific stance where the human body has a weight shift borne on one leg.
Deckle Edge: Deckle edges are irregular and ragged edges on hand-made paper.
Emulsion: Emulsion is the mixture of two liquids.

Contrapposto
The pose of the human form in which the head and shoulders face in a different direction from the hips and legs; a spiral twist. Developed in late ancient Greek era; sometimes referred to "weight shift".

Contrapposto
A pose in which one part of the body twists away from the other with the weight of the figure balanced on one leg instead of two, exemplified in Michelangelo's "David" (1504). Literally, "counterpoise.

Classical Contrapposto
This Italian tern describes a human figure standing in such a way that one part of the body twists away from the other with the weight of the figure balanced on one leg instead of two, ...

Also see balance, contrapposto, Egyptian art, Greek art, kore, and kouros.

Ancient Greek sculptors developed contrapposto by creating figures who stand with their weight on one leg, the movement of the hips to one side being balanced by a counter movement of the torso.

Contrapposto - Contrapposto is an Italian word that describes a pose in which one part of the body is twisted in the opposite direction from that of the other ...more info ...

His figures use the classical contrapposto stance (relaxed and not rigid). His David is also believed to be the very first full-scale nude sculpture since ancient times.David is the biblical youth who conquers the giant, Goliath.

This painting is among Titian's most Raphaelesque, particularly in the contrapposto of Ariadne and the controlled energy of Bacchus and his train, who seem more numerous than they really are.

It is an example of the contrapposto style of posing the human figure, which again borrows from classical sculpture.

Among the foremost sculptors were Praxiteles, Polykleitos, Myron, and Phidias. Polykleitos was renowned for his mastery of Contrapposto - the ultra-realistic stance whereby the weight of the sculpted body is shifted onto one foot.

century BCE Greek statuary that is formal but not rigid in pose and emphasizes the principle of weight distribution; a liberation from the archaic limitation of frontal rigidity found in Egyptian portrait statues. Also see balance, contrapposto, ...

Though his body appears to be relaxed (emulating the contrapposto pose of classical Greek sculpture), the tension of the conflict is evident in his worried look. In his writings, Michelangelo describes his warrior-hero: "Eyes watchful...

In the lateral altar painting of the "Resurrection," the poses of the standing soldiers and the contrapposto (a position in which the upper and lower parts of the body are contrasted indirection) of those asleep are also clearly Michelangelesque in ...

See also: Painting, Sculpture, Classic, Composition, Movement