Masters of Flemish Painting
Matthias Grünewald (1434-1494) Northern Renaissance
Jan van Eyck (1385 - 1441) Northern Renaissance ...
Broadley Hugh T. Flemish Painting in the National Gallery of Art (Booklet no. 5 in Ten Schools of Painting in the National Gallery of Art, Washington, DC). Washington, 1960: 10, 40-41, color repro.
1962 ...
In 147S, Antonello da Messina arrived in Venice, fresh from contacts both with Flemish painting, which had pioneered the use of oil paints, and the work of Piero della Francesca.
By completing the fusion of the realistic tradition of Flemish painting with the imaginative freedom and classical themes of Italian Renaissance painting, he fundamentally revitalized and redirected northern European painting.
A journey to Madrid in about 1643 enabled Murillo to study the Venetian and Flemish paintings forming part of the royal collections.
This tiny milestone in the history of Flemish paintings is by the "Master of Flémalle.
Developing from the art of miniature and based on a detailed observation of reality, Flemish painting attained a technical superiority which ensured its prestige throughout Europe.
Of particular note is the Flemish infection at Fontainebleau that combined the eroticism of the French style with a precursor of the vanitas tradition that would dominate seventeenth-century Netherlandish and Flemish painting.
He was Van Eyck's chief rival as the finest representative of Flemish painting. Van der Weyden's most famous works include the Descent from the Cross, the Madonna with Saint Luke, the Last Judgement and the Adoration of the Magi.
 See also: Painting, Sculpture, Portrait, Catalogue, School
  
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