Some colours are stronger than others. Red, for instance, is considered a stronger - or more colourful - colour than (say) green. The strength of a colour is called "intensity" or "chroma".
HumanitiesWeb.org - Glossary definition: Intensity Intensity
The brightness or dullness of a hue or colour.
The purity and brightness of a colour; The relative saturation of a hue on a scale from bright (pure) to dull (mixed) with another hue or a neutral; also called chroma.
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intensity. Also called chroma or saturation. It refers to the brightness of a color (a color is full in intensity only when pure and unmixed). Color intensity can be changed by adding black, white, gray, or an opposite color on the color wheel.
Intensity. See "Saturation."
Intermediate Color. A hue situated between a primary and secondary color on the color wheel.
Linear Perspective. See "Perspective." ...
This term is used to describe the brightness, or the dullness of a color.
Obtained by mixing adjoining Primary and Secondary colors.
~ color used in its purest hue without mixing can be said to have its purest ~.
ITALIAN RENAISSANCE revival of classical art, literature, and learning based on humanism.
KILN an oven for drying, firing and glazing clay.
~: the property of color that refers to the brightness or dullness of a color; how pure the color is.
The degree of purity or brilliance of a color. Also known as chroma or saturation.
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~ The relative purity or saturation of a hue (color), on a scale from bright (pure) to dull (mixed with another hue or a neutral. Also called chroma.
intermediate color A hue between a primary and a secondary on the color wheel, such as yellow-green, a mixture of yellow and green.
What enables painting is the perception and representation of ~. Every point in space has different ~, which can be represented in painting by black and white and all the gray shades between.
The purity and brightness of a color. Also called saturation.
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~ - The brightness or dullness of a hue or color. For instance, the ~ of the pure color blue is very bright. When a lighter or darker color is added to blue, the ~ is less bright, or more subdued. Also see saturation, shade, tint, tone, and value.
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The brightness (purity) or dullness of a color, also known as chroma.
Intermediate colors (Tertiary)
A color made by mixing a primary color with secondary color.
In ~ and immediacy of expression, Matisse never surpassed Woman with a Hat, a portrait of his wife Amélie. The painting caused shock and outrage when it was shown at the Salon d'Automne in Paris in 1905, and the painters were derisively labeled fauves ("wild beasts").
The ~ of their activity and breadth of their contributions have not guaranteed that the documentation of Latino and Latin American art is accessible or has even survived. This is due to numerous factors, among them the strict boundaries of the modern art canon.
The ~ of the colours in the group on the left is counterbalanced on the right by darker tones. Enveloped in a violet cloak and wearing a wide green hat adorned with a yellow ribbon, the man turns, his face less sullen than those of some of the other figures in the lunettes.
~ or saturation of a color. Purity of color. Paintings are considered "bright" if their tonality is bright.
Full of the ~ of feeling aroused by his surroundings, Cézanne's art was also deeply cerebral, a conscious search for intellectual solutions to problems of representation.
The movement gets its name because it is seen as combining the emotional ~ and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools such as Futurism, the Bauhaus and Synthetic Cubism.
However, Bronzino lacked the emotional ~ that was such a characteristic of Pontormo's work and excelled as a portraitist rather than a religious painter.
Gothic paintings are darkly mystical, infused with an ethereal emotional ~. The mysticism of the Middle Ages imparts a sense of uniqueness and wonder to Gothic art.
"Over the next few years Dalí devoted himself with passionate ~ to developing his method, which he described as 'paranoiac-critical', a 'spontaneous method of irrational knowledge based on the critical and systematic objectivation of delirious associations and interpretations'.
Photogravure combines the detail and ~ of photography with the painterly quality of lithography. While the photogravure print and the photograph share certain qualities, the photogravure print is fundamentally different because it is a vector-based image, i.e.
While his reaction to his election as Pius II did not involve a dramatic 'conversion' from his career as womanizer, genial belletrist and place-seeker (for he had displayed a steadier and soberer sense of purpose from 1446), the ~ with which he sought to further the temporal and spiritual ...
The search of harmony and forms is not as important as trying to achieve the highest expression ~, both from the aesthetic point of view and according to idea and human critics. Expressionism assessed itself mostly in Germany, in 1910.
Paintings like Van Gogh's ‘Sunflowers' (1888) opened our eyes to the ~ of expressive colour. He used colour to express his feelings about a subject, rather than to simply describe it.
Hatoum uses color to emphasize the ~ of her experiences and to suggest wider political meanings beyond her personal experiences. The installation Light at the End (2002) consists of an iron metal frame and five electric elements.
Rogier van der Weyden, famous for portraits and altarpieces such as the Descent from the Cross (1439-43; Prado, Madrid), worked in a more idealistic vein, instilling his compositions with unprecedented monumentality and emotional ~.
She showed at the Salon des Artistes français in Paris from 1893 to 1941, especially large watercolors of idealized women that have both a certain Pre-Raphaelite ~ (since a journey in Italy, to Florence and Rome where she discovered the Renaissance painters, ...
With her terrified eyes she observes others with a desperate ~ full of unanswered questions. They talk to her slowly, reassuringly, but she stays clamped to her fear. Jozio's heart wrings with compassion.
Their shimmering ~ is enhanced by the equally strong presence of orange in the boat's reflection and the scarlet accent of Aline's bow. Renoir has put into practice aspects of current color theory.
By using saturated hues of similar value (~), and placing them side by side with sharp dividing lines without blending, he demonstrated that an optical effect could be achieved even if the colors used were not complementary on the color wheel.
The ~ and color of the emission differs for various materials and can change as a material ages. Autofluorescence can help to visually distinguish between different materials, for instance, restoration paint often fluoresces differently from original paint layers.
Areas which do not print are blocked with photo sensitive emulsion that has been exposed with high ~ arc lights. A squeegee is pulled from back to front, producing a direct transfer of the image from screen to paper.
~ The purity and brightness of a color. Also called saturation. L Lignin A compenent of the cell walls of plants that occurs naturally, along with cellulose.
However, Swillen's overriding emphasis on the aesthetic content of a picture, which typify the idea of art-for-art's-sake, perhaps miss one of the most compelling aspects of Vermeer's work: the emotional ~ of his figures.
Exhibiting the same emotional style of sculpting, with an ~ of dramatic action in facial expressions and tension in physical poses, Algardi's compositions were packed with the same naturalism and obsessive attention to detail.
She simplified the objects and landscapes she depicted, using vibrant colors that added ~ to the paintings.
Chroma - the relative ~ or purity of a hue when compared to grayness or lack of hue.
Cockling - wrinkling or puckering in paper supports, caused by applying washes onto a flimsy or improperly stretched surface.
saturation: Purity or ~ of color. Degree of freedom from grayness.
scumble: Very thin layer of opaque or semi-opaque paint that partially hides the underlayer.
shade: The difference in appearance between colors of similar hue.
Saturation: The greatest possible ~ of the color.
Scumbling: Dragging paint in a broken manner over a previously painted dry surface.
Sketch: 1. A brief statement of the subject. 2. A drawing complete in itself.
Colour: See section on Colour has three basic attributes - hue, ~ and value. Since the Impressionists and especially Claude Monet turned colour into subject-matter (rather than language), it has become more central to the history of art.
atmospheric perspective - Atmospheric, or aerial, perspective, is a less technical type of perspective, which consists of a gradual decrease in ~ of local color, and less contrast of light and dark, as space recedes into the far distance in a landscape painting or drawing.
An element of art with properties of hue (the color name, i.e., red, blue, etc.), ~ (the purity and strength of the color, i.e., bright red, dull red, etc.), and value (the lightness or darkness of a color).
scale - the relationship between the size or ~ of surface qualities which establishes a sense of relative proportion and emphasis.
Tone- the overall degree of brightness or darkness in an artwork. Also saturation, ~, or value of color and it's effect.
Trefoil- An ornament design made up of three rounded lobes placed adjacent to one another.
France. Pointillism is a technique that uses points of primary color to create secondary colors and to increase color ~. Divisionism is similar, but concentrates more on color theory instead of brushstrokes.
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A concept of painting in which traditional adherence to realism and proportion is overridden by the ~ of an artist's emotional response to the subject.
Expressionism - A concept of painting in which traditional adherence to realism and proportion is over-ridden by the ~ of an artist's emotional response to the subject.
Glazed Wash: Any transparent wash of color laid over a dry, previously painted area. Used to adjust color, value, or ~ of underlying painting. (Glaze) - See our tutorial.
The actual term "Abstract Expressionism" was first mentioned by art critic Robert Coates in 1946. The name was a combination of the German Expressionists, with their emotional ~ and self-expression, and other European abstract movements such as Futurism and Cubism.
A device invented by Daguerre and Bouton in 1822 for producing changing effects in a a chamber. By manipulating the direction, color, and ~ of lights, a diversity of scenic effects may be produced.
Greyscale images of this sort, also known as black-and-white, are composed exclusively of shades of neutral gray, varying from black at the weakest ~ to white at the strongest.
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Monochromatic - Having only one color. Descriptive of work in which one hue - perhaps with variations of value and ~ - predominates.
In tropical Tahiti he found color and light of a brilliance and ~ never seen in Europe. As a result he began to intensify his colors, using them to evoke the exotic environment in which he found himself, and also to introduce the emotional symbolism that color can carry.
In this complex arrangement of shapes and colors, the artist has used the secondary colors green, orange and purple to create what he called a "dominant chord." As a second theme, the artist emphasized the ~ of certain colors to direct our attention to the figure of a woman.
The visual sensation dependent on the reflection or absorption of light from a given surface. The three characteristics of color are hue, value, and ~.
Van Gogh also expressed his inner feelings through his art. He painted with pure colour (sometimes right out of the tube) and used quick, strong brushstrokes. He became famous for the passionate ~ of his paintings.
An element of art with three properties: (1) hue or tint, the color name, e.g., red, yellow, blue, etc.: (2) ~, the purity and strength of a color, e.g., bright red or dull red; and (3) value, the lightness or darkness of a color.
Space is the area around, within, or between images or elements. Space can be created on a two-dimensional surface by using such techniques as overlapping of objects, varying of object size or placement, varying of colour ~ and value, and use of detail and diagonal lines.
PERSPECTIVE - Refers to point of view. Linear perspective is a system for reduction of scale logically to present a single point of view within a painting. Aerial perspective reduces contrast and ~ as the illusion of space increases with distance.
Color: A visual attribute of things that results from the light they emit or transmit or reflect; the visual response to the wavelengths of light, identified as red, blue, green, etc.; primary and secondary colors; warm, cool, and neutral colors, color value; hue; and ~.
perception, this term refers to the manner in which objects appear based on their special attributes, position and size.
(2)Linear perspective is a system for reduction of scale logically to present a single point of view within a painting.
(3)Aerial perspective reduces contrast and ~ as ...
The expressionist artist substitutes to the visual object reality his own image of this object, which he feels as an accurate representation of its real meaning. The search of harmony and forms is not as important as trying to achieve the highest expression ~, ...
appeared on subjects in different weather and at different times of the day, an interest that can be traced back to Realism . They preferred to work outdoors in natural light, rather than in their studio with sketches. Their art tends to have brilliant colors that almost shimmer in their ~.
See also: What is the meaning of Painting, Movement, Expression, Composition, Impression?