International Style
An architectural style that emerged in several European countries between 1910 and 1920 that joined structure and exterior design into a non-eclectic form based on rectangular geometry and growing out of the basic function and ...
International Style, Architecture
The style, which dates from the 1930s through the 1950s and beyond, emphasises a lack of colour, contrasting black and white; horizontally, and asymmetrical composition.
Complex international style in architecture and design, parallel to Symbolism in fine art. Developed through 1890s and brought to wide audience by 1900 Exposition Universelle in Paris.
Main article: International style (architecture)
Other modernists, especially those involved in design, had more pragmatic views. Modernist architects and designers believed that new technology rendered old styles of building obsolete.
In Germany the International Style had been gradually transformed by the middle of the 1400s, influenced by naturalism from the Low Countries.
International Style. Term applied to architecture of the MODERN MOVEMENT after 1932.
Neither did the International Style arrive on the Iberian Peninsula as an alien; it had been prepared by the ancient, Arab traditions of linear decorativeness and by Sienese influences during the fourteenth century, particularly strong in Valencia, ...
"An international style of decoration and architecture which developed in the 1880s and 1890s.
The Weissenhof Estate in Stuttgart, Germany (1927) The Weissenhof Estate in Stuttgart, Germany (1930) The International style was a major architectural trend of the 1920s and 1930s. ...
After Art Nouveau, and early functionalism, the next international style of poster art, which appeared in the 1920s, was Art Deco, which exactly reflected the new sleek technological age.
It was re-named the International Style after the book written under the same title by historian and critic Henry-Russell Hitchcock and architect Philip Johnson.
Largely based on the Gothic International Style, German art received important influences from the Netherlands that intensified as the century progressed.
The city of Tel Aviv is literally an open museum of the International Style in architecture... The Bauhous School
The Bauhaus School was Germany's most important and most avant-garde art and design school.
Art Nouveau history shows us that artists created an international style that was very much of the modern age.
Art Nouveau (, anglicised ) (French for 'new art') is an international style of art, architecture and design that peaked in popularity at the beginning of the 20th century (1880-1914) and is characterised by highly-stylised, flowing, ...
Funbctionalism, "less is more", International Style, "machine for living," corporate image/style, curtain wall, skyscrapers, pastiche, organic/geometric formalism, form vs. function, deconstruction
20. Pop (1960-)
Process/Earthworks (1965-) ...
In architecture, the movement away from or beyond what had become boring adaptations of the International Style, in favor of an imaginative, eclectic approach.
The work of De Stijl exerted tremendous influence on the Bauhaus and the International style as well as clothing and interior design.
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Expressionism 1900 - 1920 AD
Fauvism 1900 - 1920 AD
Cubism 1907 - 1914 AD
Dada 1916 - 1922 AD
Bauhaus 1920s - 1940's AD
Harlem Renaissance 1920s - 1940's AD
Surrealism 1924 1920s - 1940's AD
International Style 1920s - 1940's AD ...
and delineator (Dutch, 1890-1963), House for Three Families, 1928, axonometric projection in ink and pencil on tracing paper, Carnegie Museum of Art, Pittsburgh, PA. Oud worked in the style that evolved from De Stijl called the International Style.
Art Nouveau An international style at the turn of the century present in fine arts, industrial design and architecture. Its name varied from country to country (Jugendstil, Art Nouveau, Style 1900, etc.).
It also included the painter George Vantongerloo (Belgian,1886-1965), and the architects J.J.P. Oud (1890-1963) and Gerrit Rietveld (Dutch, 1888-1965). Their work exerted tremendous influence on the Bauhaus and the International Style. (pr.
 See also: Painting, Movement, Sculpture, Realism, The style
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