HumanitiesWeb.org - Glossary definition: Monochromatic Monochromatic
A colour scheme that involves different values of a single colour.
Monochromatic. A color scheme limited to variations on a single hue.
Montage. A grouping together, similarly to collage, of previously created works, such as drawings, paintings, or photographs.
Mural. A painting that covers most or all of a wall, often a fresco.
monochromatic. A color scheme involving the use of only one hue that can vary in value or intensity.
mood. The state of mind or feeling communicated in a work of art, frequently through color.
Monochromatic - Having only one color. Descriptive of work in which one hue - perhaps with variations of value and intensity - predominates.
monochromatic: consisting of only a single colour or hue; may include its tints and shades.
~: a color scheme that uses one color and all of the tones, tints, and shades that can be derived from it.
motif: a unit repeated to create visual rhythm.
~: A single color in all it's values.
Motif: A term meaning "subject". Flowers or roses can be a motif.
Muted: Suppressing the full color value of a particular color.
~ - In a contemporary painting the colour scheme that involves using different degrees of a single colour.
Works of art that consist of variations of a single color to create luminous optical effects. Artists achieved this style by covering large areas of canvas with thinly painted colors.
~ - A painting or drawing of different shades of one color.
~ A color scheme that involves different values of a single color.
Mural A continuous painting which is designed to fill a wall or other architectural area.
A ~ painting, usually in gray, which can be used under colored glazes. Return to top
coating material, usually white, applied to a support to make it ready for painting. Return to top ...
~ painting done entirely in shades of gray, not unlike a black and white photograph. Grisaille is especially useful for representing, in two dimensions, relief sculpture. It is also used as a type of underpainting, upon which layers of color can be applied.
~ colour scheme.
A colour scheme in which only one hue is used, along with its tints (i.e., hue plus white) and shades (i.e., hue plus black).
~ portrait sketch with Sepia watercolour.
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Shading Techniques ...
Uses only one hue and variations obtained from it's tints, shades, and tones.
A composite picture resulting from the placing of objects, materials, prints, or photographs in a preconceived design.
Pick Out- A ~ painting technique involving a paper towel and kneaded eraser for lifting tone and highlights.
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grissaille ~ (single color) painting, shapes are defined by variations of tone, usually grey and white. This is similar, but not the same to certain kinds of trompe l'oeil.
guilloche An ornament or border of continuous, interlaced curving lines.
~-a color scheme that involves different values of a single color
Harmonious-colors, such as red and orange, that come next to each other on the color wheel. Seen side by side, they seem to blend together ...
Grissaille - a ~ painting, usually in gray, which can be used under colored glazes.
Ground - coating material, usually white, applied to a support to make it ready for painting.
Gum - a plant substance that is soluble in water.
Ink painting- A ~ style of painting developed in china using black ink with gray washes.
Inlay- To set pieces of a material or materials into a surface to form a design. Also material used in decoration formed by this technique.
A colour without hue is achromatic or ~ and will appear grey. Highly chromatic colours contain maximum hue with few impurities or additives such as white, grey or black. A colour without hue is called "achromatic" or "~" and appears grey.
Saint Theresa, the focal point of the chapel, is a ~ marble statue (a soft white) surrounded by a polychromatic marble architectural framing concealing a window to light the statue from above.
Many of them had been Minimalists, working with various ~, geometric styles, and whose paintings publicly evolved into new abstract painterly motifs.
The expressive quality of both the forms and gestures in the basically ~ composition of Guernica found its way into Picasso's other work, especially in the intensely coloured versions of Weeping Woman (1937) as well as in related prints and drawings, ...
In 1951 Rauschenberg created his "White Paintings," in the tradition of ~ painting, whose purpose was to reduce painting to its most essential nature, and to subsequently lead to the possibility of pure experience.
"There's a recent work that goes farther into the past: a series - perhaps a triptych - of untitled paintings each with roughly the same composition and a ~ field: from left to right, an oil with a purple ground of 1991-94, an oil with a white ground of 1991; ...
At first glance, Abstract Painting may appear to be a ~ black canvas, but a careful look reveals that this painting is a three-by-three grid with squares in varying shades of black. Ad Reinhardt once said, 'There is a black which is old and a black which is fresh.
The Boatyard (exh. Salon 1876; Cleveland, OH, Mus. A.), for instance, demonstrates the affinities between Cazin's muted colours and the ~ tones of the region itself.
In this period, they removed bright colors from their compositions, favoring ~ earth tones so that they could focus primarily on the structure. The paintings of this period look as if they have deconstructed objects and rearranged them on the canvas.
The artisans employ this ~ palette to create designs that become the covering of a wide range of decorative furniture and accessories. The final product is a smooth surface of many layers of lacquer.
de Ba├"re reaches ~ tonalities unprecedented in her art. This Series has come to the attention of two Holocaust museums in the United States.
Sandy Skoglund is a photographer who consistently uses rooms, ~ally painted furniture, actors, an excessive number of animals or objects and unusual media to create dreamlike scenes.
Mark Tansey is known particularly for his ~ paintings which are often humorous mock-historical scenes that refer to art historical subjects and concern art criticism.
At that time, only the English native Cole, born in a ~ green landscape, found the brilliant autumn hues of the area unusual.
This term usually refers to the method of oil painting where an initial layer of paint is applied creating a ~ image of the work. This provides the painter with several advantages.
In the original he had used a variety of motifs, some dating back to earlier works, and adhered to a nearly ~, dark tonality enlivened with a few light red and beige accents.
The ~ appearance of these works gave rise to new, modern canons of sculpture characterized by an emphasis on form with little consideration of color.
Color was greatly subdued, and paintings were nearly ~. The leading cubists, Pablo Picasso (Spanish, 1881-1973) and Georges Braque (French, 1882-1963) initiated the movement when they followed the advice of Paul CÚzanne (French, 1839-1906), ...
As in ~. Being of one color or hue.
A single pictorial composition made by juxtaposing or overlapping many pictures or designs. The art or process of making such a composition. Also, a rapid succession of different images or shots in a movie.
Key terms and phrase associated with Whistler's style - obscured details, single-figure themes, the natural and spiritual domain, waking, ~ , sleep, dreams, death, aura, religious implication, emotionalism, emotionalists, pictorial space, compositional space, diffused light, ...
grisaille - A style of ~ painting in shades of gray, used especially for the representation of relief sculpture.
illusionism - A style of painting which makes two-dimensional objects appear to be three-dimensional.
a painting that uses only one color in a variety of values (including black and white).
realistic, or appearing like something from the natural world.
an image that has been derived from a non-visual source and makes no association to visual forms.
Even if we perceive the color as wrong, to other visual pathways that are solely ~, the scene seems more right. This principle of discussing color in terms of right and wrong helps us to understand Matisse's work.
Lines were usually diffused, distance was more infinite and the color was strongly ~. The contrast between light and shade was also as important. Baroque painters usually came from Germany and England.
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UNDER PAINTING. A tonal painting, (sometimes ~), over which additional paint, SCUMBLES and GLAZES are applied to produce additional depth. This is a common practice even with opaque paints which rarely cover in one coat.
The underpainting, as the dried layer is usually called, is usually ~ but it may also contain color. The two layers of paint are not physically but optically mixed. Glazing is similar to placing a sheet of colored acetate over a monochrome photograph.
Monochrome comes from the two Greek words mono meaning "one", and chroma, meaning "surface" or "the colour of the skin"). A ~ object has a single color.In Art this ofen means using different shades of the one colour.
Black, white and greys. Artwork that is executed without color. Also called ~.
Nature-oriented motifs--often depicting local flora--were carved into the pottery which was then finished with a matte glaze. While early pieces were ~ with dominant colors of blues and greens, later pieces added strong cobalt blue and even pinks and rose colors.
The dominant photographic process from the period of its introduction in the 1880s until the 1960s, at which time it was eclipsed by consumer color photography. Gelatin silver prints are ~ (grayscale) and are typically glossy.
Hudson River School ...
The layer or layers of paint which an artist applys first. An underpainting typically serves as a guide for subsequent layers of paint. They are often ~ and help to define color values.
This style was termed cubism by a critic who described the work as being made of "little cubes". They created this style by breaking down and analyzing a object. The main color scheme was browns and other muddy colors (~ color).
See also: What is the meaning of Painting, Movement, Expression, Composition, Sculpture?