Neue Sachlichkeit
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Neue Sachlichkeit (New Objectivity)
Die Neue Sachlichkeit (The New Objectivity) was a pseudo-Expressionist movement founded in Germany in the aftermath of World War I by Otto Dix and George Grosz.
Die Neue Sachlichkeit (The New Objectivity) was an Expressionist movement founded in Germany in the aftermath of World War I by George Grosz and Otto Dix.
Neue Sachlichkeit
(German, "The New Objectivity")
A group of German artists in the 1920s, led by Otto Dix and George Grosz, ...
Neue Sachlichkeit [New Objectivity].
A term used by the German critic G. F.
Neue Sachlichkeit, Die. *New Objectivity Neue Sezession. *Sezession
Neue Sachlichkeit [Ger.: ‘new objectivity'].
Neue Sachlichkeit (1910s): painting, prints, works on paper. Neue Sachlichkeit, the German art movement, was formed out of defiance against expressionism.
Neue Sachlichkeit
New Objectivity
1918-1933
Otto Dix, Christian Schad, George Grosz, Carlo Mense, Conrad Felixmuller, Georg Scholz, Franz Radziwill, Alexander Kanoldt, Franz Lenk ...
His work was hailed as a leading example of Neue Sachlichkeit (New Objectivity), a short-lived movement distinguished by the rejection of Expressionism and the revival of realism.
Neue Sachlichkeit. Köln: Böhlau. Print.
Crockett, Dennis (1999). German Post-Expressionism: the art of the Great Disorder 1918-1924". University Park, Pa.: Pennsylvania State University Press ...
He was stylistically affiliated with Expressionism, Cubism and New Objectivity (Neue Sachlichkeit) but didn't identify himself with any one school... Mark Harden's Artchive : Max Beckmann: "Departure" ...
Neue Sachlichkeit (New Objectivity)
German modern realist movement of the 1920s founded by Otto Dix and George Grosz, who vividly depicted the corruption and hedonism in Germany during the 1920s.
New Bauhaus ...
Expressionism is a broad term for a host of movements in early twentieth-century Germany, from Die Brücke (1905) and Der Blaue Reiter (1911) to the early Neue Sachlichkeit painters in the 20s and 30s.
There are several different and somewhat overlapping groups of Expressionist artists, including Der Blaue Reiter ("The Blue Rider"), Die Brücke ("The Bridge"), Die Neue Sachlichkeit ("The New Objectivity") and the Bauhaus School.
Molnár reflect the influence of art deco (Madonna), nudes of Jenõ Medveczky strict archaism (Composition with Three Figures) and pictures of Béla Kontuly with portraits or groups showing the influence of Neue Sachlichkeit (Marriage in Cana).
 See also: Movement, Expression, Realism, Painting, School
  
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