'The Postmodern Sublime: Kant and Tony Smith's Anecdote of the Cube'. The Journal of Aesthetics and Art Criticism, Vol. 53, No. 2 (Spring 1995): 177-186.
Brady, E. 'Imagination and the Aesthetic Appreciation of Nature'.
sublime That which impresses the mind with a sense of grandeur and power, inspiring a sense of awe.
sublime - A concept, thing or state of exceptional and awe-inspiring beauty and moral or intellectual expression - a goal to which many nineteenth-century artists aspired in their artworks. Noble, majestic.
Also see sublime.
chaitya hall - An Indian shrine, especially a Buddhist prayer-hall having a votive stupa at one end.
(pr. CHI:T-yÉ™) ...
Manuel, John. A Sublime Coherence: The Collages of Irwin Kremen. Leader Magazine, May 18, 1989.
Maulfahr, Jane. Collages by Kremen Demand a Response. The Allentown Morning Call, November 7, 1985.
This thinking led romantic artists to depict the sublime, ruined churches, shipwrecks, massacres and madness.
In the book A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, published in 1757, Edmund Burke (1729-1797) paved the road to an aesthetics of awesome and pleasurable terrors.
The word came to be associated with the emerging taste for wild scenery, "sublime" prospects, and ruins, a tendency reflected in the increasing emphasis in aesthetic theory on the sublime as opposed to the beautiful.
It indicated an aesthetic approach that found pleasure in roughness and irregularity, and an attempt was made to establish it as a critical category between the 'beautiful' and the 'Sublime'.
With the artistic and scientific revolutions of the 19th century, the tradition of sublime history painting, inspired by political, spiritual or mythological subjects, lost its dominant position.
Rothko and Newman, among others, spoke of a goal to achieve the "sublime" rather than the "beautiful," harkening back to Edmund Burke in a drive for the grand, heroic vision in opposition to a calming or comforting effect.
Sheeler's work records the displacement of the Natural Sublime by the Industrial Sublime, but his real subject was the Managerial Sublime, a thoroughly American notion.
Sublime Islamic Architecture
ISLAMIC ART WORLD
The civilization of Islam embraces
1.5 billion people, across nearly
all continents. Influenced chiefly
by Arab, Persian and Turkish
traditions, Islamic visual arts
have always played an important ...
All is quiet about, and the sublime figures of his paintings live their serous and lonely existence in solemn grandeur.
Vasari predicted the phenomenal impact of the work: "This sublime painting", he wrote, "should serve as a model for our art. Divine Providence has bestowed it upon the world to show how much intelligence she can deal out to certain men on earth.
In a few sublime instances, art transcends culture and time and all requirements for explanation. But in studying most art objects produced in a distant era or faraway country, knowledge of iconographic shorthand is a useful tool.
' Historically, Picturesque was a style of landscape painting that emphasized a sentimental aesthetic over the sublime. Picturesque can also refer to a style of landscape painting that reassures man of dominion over nature.
As used in common language, picturesque means "Forming, or fitted to form, a good or pleasing picture." Art historically, Picturesque is a style of landscape painting that emphasizes a sentimental aesthetic over the sublime.
The term Post-Minimalism was coined by Robert Pincus-Witten in Artforum, November, 1971, "Eva Hesse: Post-Minimalism into Sublime.
In Romantic Modernism and post-Modernism, one finds beauty and the sublime (the lineage of Claude Monet, the Fauves, Mark Rothko, the color field painters and Frank Stella's wall constructions), as well as the dark side of the psyche, ...
All in all the declared aim of the Romantics was a "return to Nature - nature the unbounded, wild and ever-changing, nature the sublime and picturesque.
The amalgam being equally spread over the prepared surface of the metal, the mercury is then sublimed by a heat just sufficient for that purpose; for, if it is too great, part of the gold may be driven off, ...
that represent major and inimitable accomplishments in the separate fields of sculpture, painting, and architecture. Raphael, a man of very different temperament, evoked, in paintings of Madonnas and in frescoes, not overwhelming forces but sublime ...
 See also: Painting, Movement, Roman, Expression, Classic
  
|
RSS
