Subtractive Colour and Other Art Terms in the Art Dictionary of Arcy Art Original Oil Paintings - Art Terminology Beginning With S ...
Subtractive Colour Mixture
Combining of coloured pigments in the form of paints, inks, pastels, etc created when reflected light is reduced as pigment colours are combined.
Subtractive Sculpture ...
subtractive. Refers to sculpting method produced by removing or taking away from the original material (the opposite of additive).
Subtractive process: see Carving
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Terra cotta: - literally "baked earth" in Italian: unglazed clay dried in the air and baked or fired: usually red to black, most often reddish-brown. Terra cotta has been used since neolithic times ...
SUBTRACTIVE COLOR
Color resulting from the absorption of light. Return to top
STUDY ...
SUBTRACTIVE TECHNIQUE an example: carving is typically a subtractive process, in which the material, such as wood or plaster or clay is chipped or carved away until the desired sculptural form emerges.
subtractive 1) In color, the adjective used to describe the fact that, when different hues of colored pigment are combined, the resulting mixture is lower in key than the original hues and duller as well, and as more and more hues are added, ...
subtraction, subtractive - Subtraction is the act of removing. In art, an action is subtractive when it produces subtraction, as of some materials in carving, for example.
Subtractive sculpture
Process in which three-dimensional form is created by removing, cutting away, or carving out unwanted materials.
Symbol
Something that stands for or represents something else.
A subtractive process in which a sculpture is formed by removing material from a block or mass of wood, stone, or other material, using sharpened tools. Carving is one of the oldest sculptural techniques.
A subtractive method of sculpture which consists of removing wood or stone from a single block.
Casting:
Reproducing in plaster, bronze, or plastic, an original piece ofsculpture made of clay, wax, or similar material.
Also see subtractive, assemblage, construction, dent, detritus, erasure, fragment, hollow carving, kerf, mark, misericord, modeling, sculpture, solvent, statue, stress, and the names of materials typically carved, such as alabaster, limestone, marble, ...
CARVING - subtractive method of sculpture which consists of removing wood or stone from a single block.
subtractive color mixture - reduction of reflected light resulting from the combination of colored pigments
subtractive texture - loss of textural paint qualities resulting from repeated brushstrokes in an area of a painting ...
A subtractive form of sculpture, in which the material is cut, chipped, or drilled away from a solid material to create a sculpture. Casting. Process of sculpture in which a molten metal or substance is poured into a mold and allowed to harden.
Sculptural technique falls into two basic categories, subtractive and additive. Carving is a subtractive technique. The final form is a reduction of the original mass of a block of stone, a piece of wood, or another material.
"Mixing" complements complete the subtractive color mixing process. "Visual" complements complete the optical synthesis which is bound by the way our eyes work.
Minimalist procedures such as additive and subtractive process are common in postminimalism, though usually in disguised form, and the style has also shown a capacity for absorbing influences from world and popular music (Balinese gamelan, bluegrass, ...
The colors yellow, red (magenta), and blue (cyan) from which it is possible to mix all the other colors of the spectrum-- also known as the subtractive or colorant primaries.
color theory: as used in the Kentucky Core Content, the study of pigmented color (subtractive color theory) as opposed to light (additive color theory).
Among other techniques, he utilizes the difference between the additive and subtractive mixing of colors.
The primary colors for the subtractive colour system are cyan, magenta and yellow.
Saturation/Intensity
The equivalent terms "saturation" and "intensity" describe the strength of a colour with respect to its value or lightness.
Examples of these would be white or grey, in the (light) additive system, and brown, grey, or black in the (pigment or paint) subtractive system. This is still the common meaning in most technical literature.
 See also: Painting, Sculpture, Composition, Movement, Size
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