Having three dimensions height, width and depth.
Three-dimensional: occupying or giving the illusion of three dimensions (height, width, depth).
Three-dimensional space: a sensation of space which seems to have thickness or depth as well as height and width.
three-dimensional. Having height, width, and depth. Also referred to as 3-D.
tint. Color lightened with white added to it.
tone. Color shaded or darkened with gray (black plus white).
Three-dimensional- Having height, width, and thickness. Forms are three-dimensional.
Tint- A color such as pink that is created by mixing a hue with white. Also, a light value of a color.
three-dimensional Having height, width, and depth.
throwing The process of forming clay objects on a potter's wheel.
tint A hue with white added.
Something that is three-dimensional (3-D) sticks out into space, like a box, and has height, width, and depth.
Three-dimensional form, often implying bulk, density and weight. Also, the illusion of such a form on a two-dimensional surface.
The plaster shape from which repeated copies of a mold can be made.
three-dimensional - Having, or appearing to have, height, width, and depth. Also see chiaroscuro, compass rose, direction, form, illusion, mass, perspective, sculpture, shadow box, space, statue, two-dimensional, and wireframe.
Objects which have height, width, and depth.
Small drawings used to develop an idea or composition.
A three-dimensional work of art, or the art of making it. Such works may be carved, modelled, constructed, or cast. Sculptures can also be described as assemblage, in the round, and relief, and made in a huge variety of media.
A three-dimensional work of art. Such works may be carved, modeled, cast or otherwise constructed or assembled using a variety of materials.
A three-dimensional composition made from a variety of traditionally non-artistic materials and objects.
A three-dimensional example of Art Deco is found in the glass creations of the Frenchman, Rene Lalique.
A three-dimensional work of art which may be carved, modeled, constructed, or cast.
The element of art that has two dimensions: length and width.
In this three-dimensional sculpture, the movement is implied. Shiva is shown in the dance of destruction and recreation of the universe.
Working in three-dimensional, mixed media assemblage, I am conceptually concerned with the interplay between heart/mind experience and contemporary, cultural power structures typified in themes of power and powerlessness, oppression and resistance, ...
FORM a three-dimensional shape, such as the human form or an abstract form.
mobile...A three-dimensional moving sculpture.
modern art...The term modern art is applied to almost all progressive or avant-garde phases of art from the time of the Impressionists in the late 1880's to the growth of Postmodernism in the 1960's.
Traditional three-dimensional art of the indigenous people of the Northwest Coast can be characterized as highly sculptural, including relief and sculpture in the round, ...
The mass of three-dimensional shapes in space.
As used in art, a paring down to the essential elements required to achieve a desired effect.
We live in a three-dimensional world of depth. When we look around us, some things seem closer, some further away. The artist can also show the illusion of depth by using the following means: ...
helix - A three-dimensional spiral; a curve that lies on a cylinder or cone. Spirals — helixes and volutes — are among the ten classes of patterns. The chirality of a helix is the direction of its turning, or handedness.
modeling - Three-dimensional effect created by the use of changes in color, the use of lights and darks, cross-hatching, etc.
Description of three-dimensional work that is the counterpart of collage, which is two-dimensional. Assemblage is composed of non-art materials, often found objects, that are seemingly unrelated but create a unity.
From rabbinical literature dealing with the issue, it appears that the main aversion has always been against three-dimensional art, which might simulate the implements of the Temple.
Three-dimensional - Three-dimensional refers to something having depth, or composed of elements arrange at various distances from the spectator ...more info ...
The important thing to know about assemblage is that it is "supposed" to be three-dimensional and different from collage, which is "supposed" to be two-dimensional (though both are similarly eclectic in nature and composition). But! ...
While portal guardians are three-dimensional at the front, their sides are only carved in relief.4 They take the form of animals (real or imaginary) or animals with human heads.
A sculpture is a three-dimensional object, which for the purposes of this article is man-made and selected for special recognition as art. A person who creates sculpture is called a sculptor.
assemblage: a three-dimensional art object made up of found materials or objects.
bas-relief: a composition in shallow relief on a flat or curved surface (for example, on a coin).
Sculpture - A three-dimensional work of art that is modeled, carved or assembled from a variety of materials (such as stone, metal, glass or arbitrary materials).
Sculpture - A three-dimensional form modeled, carved, or assembled.
Secondary Colors - A hue created by combining two primary colors, as yellow and blue mixed together yield green. In pigment the secondary colors are orange, green, and violet.
In fact, this type of courtly art complemented the Tuscan artists' work in defining the rules of three-dimensional vision, which could sometimes become almost too cerebral.
During the mid-sixties American painting was declared dead by various critics including Minimalist sculptor/critic Donald Judd citing three-dimensional, volumetric objects as the embodiment of visual truth.
bozzetto Strictly speaking, a small three-dimensional sketch in wax or clay made by a sculptor in preparation for a larger and more finished work. By extension, a rapid sketch in oil, made as a study for a larger picture.
Because a painted image is physically two-dimensional, a painter must have some tool to create a false, but convincing illusion of three-dimensionality. Value is that tool. The effects of value are most easily seen in a black and white drawing.
After 1908, Picasso joined with Braque and other like-minded artists to explore the representation of three-dimensional objects on a two-dimensional surface by means of overlapping planes.
It will appear to move correctly or appear stable and appropriately three-dimensional. But if the two subdivisions are not balanced in their response to an object, it may look peculiar.
Form also refers to an element of art that is three-dimensional (height, width, and depth) and encloses volume. For example, a triangle, which is two-dimensional, is a shape, but a pyramid, which is three-dimensional, is a form.
His work also became more three-dimensional to the point where he started producing large, free-standing metal pieces, which, although they are painted upon, might well be considered sculpture.
Many of the pioneers in Constructivism had also studied Suprematist ideas, but they increasingly experimented with three-dimensional designs.
For example, in the Large Cardinal dating from 1526, which is a second copperplate portrait of Cardinal Albrecht of Brandenburg, the subject appears in profile and his shoulders are slightly slanted, giving him a more three-dimensional appearance.
by different motifs in, say, Taddeo Gaddi's or Ambrogio Lorenzetti's monumental frescoes, but - and in this respect he was unique in his own period - he adopted the essential greatness of their art: their method of representing three-dimensional ...
The representation of three-dimensional objects on a flat surface so as to produce the same impression of distance and relative size as that received by the human eye.
An element of design. Form is sculptural or three-dimensional shape (e.g., cube, pyramid, sphere).
A shape that is based on geometric figures (e.g., square, circle, triangle).
A device for suggesting three-dimensional depth on a two-dimensional surface. Forms meant to be perceived as distant from the viewer are blurred, indistinct, misty and often bluer.
Perspective: Representing three-dimensional volumes and space in two dimensions in a manner that imitates depth, height and width as seen with stereoscopic eyes.
Assemblage differs from collage in (theoretically) being a three-dimensional artwork, whereas collage is two dimensional, though the boundary between the two can be blurred.
See Also: ...
bold contrasts affecting a whole composition, but is also more technically used by artists and art historians for the use of effects representing contrasts of light, not necessarily strong, to achieve a sense of volume in modelling three-dimensional ...
chiaroscuro - The term chiaroscuro refers to the fine art painting modeling effect of using a strong contrast between light and dark to give the illusion of depth or three-dimensionality.
to describe the attempt to make a two-dimensional surface appear three-dimensional, by using the way the atmosphere and the light affect how we see things in the distance. In painting terms, this involves tone and colour rather than line.
It is impossible to see the whole of a fully three-dimensional object at once. To be fully viewed, it must be turned around or the observer must move around it, and by these actions the appearance is dynamic and constantly changing ...
An intaglio print made from a plate of board on which three-dimensional objects have been attached as in a collage.
Style: How did the artist or craftsperson execute his/her work? Are the figures in the work flat? Do the trees look three-dimensional? What colors were used and why?
Sculpture: Sculpture is a three-dimensional work of art created through carving, modeling, casting and construction.
Perspective: A technique for representing spatial relationships and three-dimensional objects on a flat surface so as to produce an effect similar to that as perceived by the human eye.
A frame made from a deep molding in which three-dimensional objects may be displayed.
perspective A method of representing three-dimensional volumes and spatial relationships on a flat surface. photoengraving A photographic process of preparing plates in relief for letterpress printing.
trompe l'oeil "Fool the eye" - something painted or otherwise presented in a way that is so realistic as to appear natural or three-dimensional.
turret A small, slender tower.
Led by Pablo Picasso and Georges Braque, the Cubists broke from centuries of tradition in their painting by rejecting the single viewpoint. Instead they used an analytical system in which three-dimensional subjects were fragmented and redefined from ...
See also: Painting, Movement, Sculpture, Composition, Expression