Emulsion side
The side of the film coated with emulsion.
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Emulsion
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The greater amount of reflected light from the brighter object affects more silver halides in the emulsion. The portions of the negative where the most silver halides have been affected are referred to as HIGHLIGHTS.
Emulsion lift
Techniques Glossary Emulsion lift
A process where the slither-like image-carrying surface of a Polaroid print is removed from its base and repositioned on a new paper or film support.
Emulsion Micro-thin layers of gelatin on film in which light-sensitive ingredients are suspended; triggered by light to create a chemical reaction resulting in a photographic image.
EMULSION - A light-sensitive composition consisting of one or more of the silver halides suspended in gelatin for coating a surface of a film, photographic paper and the like. The image is formed in the emulsion.
Emulsion - A coating which is sensitive to light. It is found on the surface of film and photographic paper.
EXIF - Exchangeable Image File. This format is used by most digital cameras today.
Emulsion - light sensitive coating on film or paper
Resin - coating plastic coating applied to both sides of paper
Glossy - shiny ...
Emulsion: A light sensitive coating on photographic film and paper. An emulsion is made up of silver halides and gelatin.
Emulsion
The light-sensitive material (which is suspended in micro-thin layers of gelatin) that is coated onto different bases to make photographic film, or paper.
emulsion side
the side of the photosensitive stencil or photographic film that is coated with the light sensitive material.
emulsion speed
the rate of response to light under standard conditions of a light sensitive material.
emulsion:
The photosensitive, chemically active surface on photographic film and paper.
EPS: ...
Emulsion. The light-sensitive coating on a piece of film, paper, or printing plate. When making prints or copies, it's important to know which side is the emulsion side so that the image can be exposed in the correct orientation (not reversed).
Emulsion Side: In photography, the side of the film coated with the silver halide emulsion which faces the lens during exposure. It is the most susceptible to scratches.
-Emulsion side - side of the film coated with emulsion.
-Endoscope - optical device allowing the viewing and photography of small inaccessible subjects.
Emulsions with Mainly Internal Sensitivity Sites. -
During the forties and early fifties, several patents were issued for photographic emulsions designed to form mainly internal latent images.
[edit] Emulsion
The structure of the Kodachrome emulsion is fundamentally different from that of other slide films in that it is non-substantive. The film is also known as an Integral Tripack.
Most emulsions are available in "120 size" roll film. There are many standard widths for 120 camera frames: 645, 6x6, 6x7, 6x8, 6x9, 6x12, and 6x17.
While the emulsion shooters were gathered around the light table examining analog images with a loupe, I found myself editing my digital images on my laptop.
The actual emulsion, the light sensitive coating that makes film work, is basically the same in both formats.
Isochromatic emulsion is excessively sensitive to violet and blue, has generally correct sensitivity to yelow, slightly low sensitivity to green and registers wavelenghts up to 620-650 nm (orange/red), so it's not sensitive to deep red color.
Touching the emulsion side of the film will affect the chemicals in the developing process, so try to remove the film without making any contact with the film itself.
A photographic emulsion coated on a flexible, transparent base that records images or scenes. Film is produced as positive (slide) or negative stock in various size and light sensitivity formats
Film speed: ...
Surface is the emulsion sheen, usually in three flavors: matte, pearl, and glossy. Glossy will give you richer blacks, but more reflections. Matte makes it very difficult to get a rich black. Pearl or semi-gloss is usually a good compromise.
ISO Speed The emulsion speed (sensitivity) of the film as determined by the standards of the International Standards Organization. In these standards, both arithmetic (ASA) and logarithmic (DIN) speed values are expressed in a single ISO term.
acetate base (popular through the 1970s) is frequently subject to vinegar syndrome, redox blemishes, and tears, and even preservation standard silver halide film on a polyester base can be subject to silvering and degradation of the emulsion-all ...
A C-print is a negative-type color photographic paper which has at least three emulsion layers of light-sensitive silver salts used to produce the photographic image when the appropriate chemicals are applied.
Film: A photographic emulsion of an image that is fixed on a flexible, transparent base.
Light striking a sensitized material (film or paper emulsion).
Top of Page Exposure Compensation ...
I assume the term "silver halide" here refers to all their films, not just the Neopan black & white emulsions. After all, color film contains silver halide too.
Each film emulsion is formulated to render accurate colors under light of a specific color temperature. For example, some films are designed to give accurate color when used in daylight of around 6,500K.
Vogel was able to produce emulsions in the early 20th century that could generate the required sensitivity to red and green light. Later on, the Lumière brothers invented the very first color film called Autochrome.
Development changes the silver in the emulsion to metallic grains, the faster the film the larger the grains. Development controls contrast. Film speed Is not affected by development.
If an image didn't turn out, or if he was out of glass plates, he could just scrape the emulsion off a previously exposed negative, recoat the plate with a photosensitive emulsion, and try again.
Carefully peel the emulsion from the backing and discard the backing
Place the target surface under the now-floating emulsion and carefully press it (emulsion side down) to the surface ...
A black-and-white emulsion was then flowed over this layer. During exposure, the grains of potato starch on each plate acted as millions of tiny filters. The light-sensitive emulsion was then reversal processed into a positive transparency.
T scanners ("Emulsion Direct Scanning"). These scanners have glassless film holders and separate scanning paths for transparent and reflective media.
'Over the years, I've used quite a few different emulsions,' he adds, 'ranging from different Kodachromes and Ektachromes to Fujichromes to some more exotic emulsions. None of them are a perfect representation of what you see. They all have a bias.
Film emulsion must be designed from the start to assume a certain colour temperature as its white point. Most films are daylight-balanced, which means they assume that the light from the noonday sun (in a temperate place) is white - roughly 5500K.
A graph used to show a film emulsion or developer's restrictions of tonal reproduction, relative speed and fog level performance graph showing the relationship between exposure and density under known developing conditions.
The emulsion side of film stock tends to be somewhat dull and non-reflective, but the surface of the typical digital sensor (or rather the filter that sits directly above it) is highly so.
A subjective look at an emulsion-al subject
By Mason Resnick
This is a very personal and subjective list of my favorite color and black-and-white print films. Each has a distinctive character. Can you emulate the look these films offer digitally?
The sheet of film has two sides, of course - the base side, and the emulsion side. You want to load your film holders so that the emulsion side is facing the lens, and the base side is facing the film holder. Telling the emulsion side is easy.
They might be trying to say that dispersion (by which they may mean the scattering of light in the emulsion?) is minimized when the image point spread function (smallest possible spot) is minimized - but that happens at wide apertures (f5.6-f8), ...
Kodachrome is a very challenging emulsion to scan. Not every scanner is capable of producing satisfying results. Often you'll receive gastly blue casts. Color calibrating the scanner using a SilverFast Kodachrome IT8 target would be a great help.
Using Polaroid Type 809 Professional film, I begin by exposing the image accurately, then pull the backing from the emulsion after 30 seconds of development time, ...
Abrasion marks
on the emulsion surface of the film are caused by scratching. It can be due to traces of dirt trapped between layers of film as it is wound on the spool, dirt in the film holder or grit on the pressure plate ...
A flexible base supporting an emulsion - light-sensitive in the case of movies and stills and magnetic in the case of video. Also, informally, motion pictures.
Halation A phenomenon that arises when light scattered within the film emulsion continues through the film base and is reflected. Halftone A reproduction of an image through a special screen.
Grain is the actual physical emulsion particles on a piece of film that reacts when exposed to light. Grain refers to the size of the emulsion particles.
Graininess ...
The dia film is a photografic emulsion, transferred to a carrier and through projection (f.i. with a dia projector) or retro-projection can be seen.
Bromide paper
Photographic printing paper which is coated with a light sensitive emulsion of silver bromide, to reproduce black and white images.
(see: Emulsion, Fibre (FB) and RC paper) ...
Mechanical system used to control the time that light is allowed to act on a light sensitive emulsion or an image sensor. The two types most common on modern cameras are the between-the-lens diaphragm shutter and the focal plane shutter.
Recently, new film emulsions in the ISO 50 to ISO 100 range have been released. They are very fine grained, but are also extremely color saturated. This means the colors are bright and vivid, but not necessarily accurate.
Simulates the controlled shrinking and distorting of film emulsion to create an image that appears clumped in the shadow areas and lightly grained in the highlights.
Resolution ...
high-end FinePix models, the FinePix F80EXR offers five different film ‘modes' to allow the photographer full creative expression to explore a variety of pre-set colour and contrast modes designed around Fujifilm's most famous film emulsions.
Substrate coated with emulsion containing light sensitive silver halide grains.
Photo CD
Compact Disk type storage technology developed by Kodak in the early 1990s.
If you rub too hard you can remove the emulsion and ruin your photo. If water doesn't work, try rubbing alcohol, then as a last resort ammonia. When the photo gets wet, it will slightly raise and change color; it will return to normal after it dries.
Film. A roll or sheet of a flexible material coated on one side with a light-sensitive emulsion and used in the camera to record an image.
The S100FS is not the first FujiFilm camera to offer film simulation modes (the S3 and S5 Pro also did), but it's the first to relate the effect back to the appearance of famous Fuji film emulsions.
 See also: Photograph, Film, Light, Image, Photography
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