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Saturated color

Photography  Sandwiching  Saturation

Saturated colors
Contrasting colors
Contrasting lines
Saturated Colors: Color is probably the strongest reason that people are attracted to flowers.


- pure color hue, undiluted by other colors, white or gray, i.e. the primary colors, red, yellow and blue are s.
Scale - linear relation between the size of the subject and the size of its image.

Rich, saturated colors, no Photoshopping necessary
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When it comes to food, music, and architecture, I must confess I’m no connoisseur. I can say with equal amounts of enthusiasm and ignorance that I know what I like.

A highly is one comprised from a very narrow wavelength range.
Combining or contaminating the color with other wavelengths from the light spectrum makes it less saturated.
Scratch Disk: ...

Because of the saturated colors rendered by the then-new Fuji Velvia slide film, I'm not sorry that I had my Nikon out in the mid-afternoon in the Bernese Oberland (Switzerland).
Nikon 8008, 20/2.8 AF lens, Fujichrome Velvia ...

This allows less enlargements resulting in sharper, less grain, and more s. With interchangeable film magazines you can shoot different types of film at the same time which is much easier than carrying a second camera body.

Rather than constantly trying to change the brush saturation though, it's a lot easier to pick a saturated color and adjust the opacity of the brush instead. You can pick any color you want.

In slide film, Fujichrome Velvia is often chosen for it's highly s and high sharpness. It's nominally an ISO 50 speed film, but some people prefer to shoot it at ISO 40.

Sensia II and its sister film Provia are popular 100 ISO emulsions, providing highly saturated colors like Velvia, but with another f-stop's speed and slightly lower contrast.

As much as I love to capture subjects with because of the powerful visual impact they offer, I also seek out the opposite end of the spectrum. Subtle and desaturated colors create impact in a very different way.

Slightly overcast days can offer lighting that produces nice saturated colors without loosing too much shadow and highlight detail. Try to avoid gray overcast skies in landscape and scenic shots.

Video out of the Olympus TG-810 is quite usable, with s and decent sound quality.

In high-dynamic-range images, saturated colors spring from the screen and tones range from deep black to luminescent white.

It also creates more s. It reduces glare, such as light reflections you get from water, glass, and other non-metallic surfaces. These filters are often used to give lackluster skies a darker and more dramatic hue.

This will result in more saturated colors in the blooms of the flowers.
Tip 2: Level with the Flowers
To get unique and beautiful flower pictures, move around. Don't just stand and shoot it.

Saturation rendering intent tries to preserve s, and is most useful when trying to retain color purity in computer graphics when converting into a larger color space.

When the gamut of source color space exceeds that of the destination, saturated colors are liable to become clipped (inaccurately represented), or more formally burned. The color management module can deal with this problem in several ways.

Colors can shift creating inaccurate or un in your images.
Always have enough film, it's better to carry around a little extra film than to run out of film when you really need it.
Always store your film is a cool environment.

a polarizing filter for attaining more saturated colors
a sturdy tripod for low-light conditions and compensating for the polarizing filter
a wide angle lens to photograph the entire arc
a telephoto lens to zoom into small parts of the rainbow ...

Diffuse light (from overcast skies) is terrific for flowers as it evens out the light and produces rich . I opened my lens fully to ƒ2.

Saturated colors are called vivid, strong, or deep. Desaturated colors are called dull, weak, or washed out. The vividness or purity of a colour; the less gray a colour contains, the more saturated it is.

SATURATION - The degree of hue (intensity) in color in an image. can be termed strong, vivid, intense or deep. De can be termed weak, pale, washed out or dull. An oversaturated image's colors are too intense.

A completely unsaturated color is a shade of gray. As the saturation increases, the color becomes a pastel shade. A completely saturated color is pure. Saturation values go from 0 to 100, from white to the purest color.

Vibrance boosts the saturation of your lower-s. That means that it won't over saturate colors that are already bright. Another great feature of vibrance is that it won't turn your skin tones orange like the Saturation slider will.

When choosing complementary colors, fully saturated colors will offer the highest level of contrast. Choosing from tints or shades within the hue family reduces the overall contrast of the composition.
Continue tutorial, view: Itten's Contrasts ...

SATURATION - The degree of hue in color as perceived subjectively. can be termed strong, vivid, intense or deep. De can be termed weak, pale, washed out or dull.

Although the preview of the Tone Compressor has more saturated colors, I find it harder to control shadows and highlights, keep noise in check and most importantly get a result that does not look artificial.

'The s, solid masses of dark buildings, the light trails, and ghosts of hurrying people suggested communal energy and personal estrangement, two forces that alternately brightened and darkened my life at the time.' ...

An attribute of perceived color, or the percentage of hue in a color. Saturated colors are called vivid, strong, or deep. Desaturated colors are called dull, weak, or washed out.
Scale. ...

The photograph was made in bright sunlight, a condition that emphasizes texture and also does justice to s.

Saturation is the intensity of color. A saturated color is vivid, while a desaturated color is more muted-closer to gray.
Vignette: ...

The soft light on a rainy day can emphasize every detail and the s of the scene. I often see photographs from students, taken in beautiful places, which were made in ordinary light.

Saturation
An attribute of perceived color, or the percentage of hue in a color. Saturated colors are called vivid, strong, or deep. Desaturated colors are called dull, weak, or washed out.

See also: See also: Color, Photograph, Camera, Image, Photography

Photography  Sandwiching  Saturation

 
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